

Meta Notes - Saturday 2/8
Kalyee- keep pencil skirt; this works! Can you shake the jar before the words chaos?
Shelby- keep lines facing out at the top, or turn more when talking to Aubree
Ethan- keep emphasis on still EACH time
“daddy do you want to play”- just that line on that entrance, Kailyn. That’s all there’s time for!
- Fugure out which is right; country vs continent Kason and Ethan
Kate - standout for character and projection; nailing it each time. I love the walk off in time with Midas too!
Ethan, more excitement on face over gold items each time you see a change.
Cline- grab safety pins for backstage!
Cara, watch holding arms up the whole time… it’s a nerves twinge, but start having awareness around it.
Slow the line every reluctant breath
Sea fabric narrators- practice black fabric three times before the Monday run!
Cara- wake up when ding happens!
Nate- great projection! Now, play more with vocal variations
WE LOVE MADDY AND LEAH!!! Great relationship!
Cara- great reactions at the end to the scene when they’re describing what happened to you guys.
Walk out creepy and not marching out- hunger cold fear
Ainsley- more desperation and need in body when selling mom
Can the narrators pre-place lyre for Taylor in that transition before Orpheus?
Chloe- subtle emotional reaction to turn… give me more on face or turn ghostlike… either way.
Kason- make the clothing throws higher up to let us see
Struiks- add orange to erysichthon and add pink to baucis and philemon
NIV AND LAYNA AMAZING!!!! We thought the fall was amazing, and so was the spin!
Niv- great reaction to candle wax
Cline- dress elastic on Monday for Ainsley- Ainsley give dress to Cline on Monday at top of rehearsal.
Cast- great reactions in pool! Better timing too, so let’s keep that cue.
Narrators- keep practicing the lights off together. Love the vision.
Thank you for a great day, y’all! I thought there was a way to like this, but… I’m not able to figure it out. So… Happy Saturday!
Hello Meta cast!
Below are the characters you are going to represent on Friday's photo shoot and pictures of hair and makeup styles. Please look over things and bring appropriate needs for Friday's pictures. Remember, we ARE doing headshots before, so have normal hair and makeup ready by 12:40pm on Friday and a PLAIN colored shirt of your choice.
You will then have until 1:30pm to be FULLY ready for pictures. Shelby will guide y'all to what she would like and Mya/Kate may help with guiding and direction - please allow them to be the leaders and listen as they present ideas to try. We will take pictures for about an hour and then hang up costumes NEATLY and be fully ready for rehearsal time in the Little Theatre at 3pm. That is the Friday schedule! Those who are in Alta Idol rehearsal, bounce back and forth as needed and we will see you when done in the Little Theatre.
Midas – Ethan Regan
Marigold – Kailyn Mortensen
Alcyone - Cara Barnes
Ceyx (bring stuff we discussed from home, please!)– Nate Coleman
Iris and Hermes (EITHER; choose) – Leah Memmott
Lucina – Kaylee Cannon
Sleep and Fear (EITHER; choose) – Maddy Jones
Erysichthon – Ainsley Cardall
Hunger (dreads are in the girl's dressing room for you!) – Hallee Wasden
Oread – Mercedes Nye
Orpheus – Taylor Fairbourn
Eurydice – Chloe Hinman
Eros – Niv Raz
Pomona – Kate Eberhardt
Vertumnus (See Struiks Thursday after school to try-on clothes) – Kason Seamans
Ceres – Alyssa Read
Philemon – Preston Smith
Psyche - Layna Johnson
Ensemble Dress - Izzy Walbeck
Ensemble Dress – Remy Parker
Townsperson Outfit– Jacob Wilson
Ensemble Dress – Jett Smith
Ensemble Dress– Emiline Johnson
Ensemble Dress (see Struiks Thursday to try one on right after school)- Audrey Bluth
Narrator Dress – Aubree Hewlett
Narrator Dress – Shelby Betenson
Narrator Dress – Tessa Osborne
Narrator Dress – Ruby Swallow
Narrator Dress - Kendra Jones
** Extra gold gear for embellishments is in the dressing room for Gods to use on picture day! This day will also help us see what is still missing and we need to get. :)
Hair pictures for inspiration - ALL genders, choose a style that keeps your hair OUT of your face completely - practice before Friday to know you can do it, OR ask for help from someone in the cast:
Ladies - a modesty under-garment and footless tights for anyone in a skirt at any point. Links are below for options if needed.
Link to footless tights: http://bit.ly/3E0MSaK
Link to other footless tights: https://bit.ly/3Ck306u
Link to modesty leotard (my fave one): https://bit.ly/4g7gvnW
Link to other leotard: https://bit.ly/42nmoKn
Gentlemen - modesty undergarments
Links to Shorts: https://bit.ly/4jq05tK
Link to tops: https://tinyurl.com/msdw73tu
** If you don't have this by Friday, bring nude, white, or light colors for under your white clothing
Here are some links to videos for basic stage makeup:
https://www.youtube.com/watch?v=csosHts7IU8
https://www.youtube.com/watch?v=QA04MbwawUg
If your character wants to do anything specialty with makeup, can you please check off your ideas with me by next Wednesday with some pictures to show me.
Hunger, Cold, Fear - I'm thinking gorgeous zombie or like the pictures below in colors that show your character.... you just have to be able to put it on in time, so start thinking about that.
Hey Team!
I wanted to post the finalized Meta calendar for the cast and parents. To the parents, I will be emailing out after the 25th about needs for the show, but for now my only reminder is that fees ($40) for the show are due by Friday. Please contact me ASAP if there is an issue!
I am already SO excited about this show and for all you will get to see. A few dates if you ARE available to help are build set as needed will be emailed out after the 25th as well. Two I know are January 7th from 2:45-5:15pm and January 10th from 1:30-5pm. I know the times aren't as convenient, so just IF you are available to help build, those are some days that the students would appreciate the extra hands.
Metamorphoses Cast List
A huge thank you to everyone who came out to audition for Metamorphoses! As I said, casting this show was really tough as you all did an incredible job with auditions and callbacks. If you are on the final casting list for Metamorphoses, please meet in the Little Theatre on Monday, December 9th at 2:45pm for our first meeting. Thank you and again, thank you to all who auditioned!
A note before you check out parts listed below - due to this ALSO being a piece for region/state in addition to the community, some parts have been cut down or condensed for time. Everyone will be a part of the region/state team with a role we use for the show, but not each scene we do for the community will stay in the competition version. Regardless, all community performances will have ALL parts listed below, some are just condensed from the get-go and I will provide those cuts to you on Monday when you get your scripts. I so wish we could take everything, but we have to cut things down to 50 minutes for competition.
A few examples are Eurydice and Orpheus is condensed, Vertumnus and Pomona have a page removed, Q&A/Eros and Psyche will only be in the community version, lines throughout will be cut ahead for time and memorization, and Myrrah/Phaeton will not be used for an Alta produced versions. Thank you for support and understanding, and please know that I will strive to not cut any additional things unless time is of the essence when we get to region/state time!
Assistant Director - Mya Didericksen
Midas and Buyer – Ethan Regan
Midas’ Daughter – Kailyn Mortensen
Alcyone and Persephone - Cara Barnes
Ceyx and Zeus – Nate Coleman
Iris and Hermes – Leah Memmott
Lucina and The Scientist – Kaylee Cannon
Sleep and Fear – Maddy Jones
Erysichthon – Ainsley Cardall
Hunger and The Servant to Midas – Hallee Wasden
Oread and Woman at the Door – Mercedes Nye
Orpheus and Poseidon – Taylor Fairbourn
Eurydice and Aphrodite – Chloe Hinman
Hades and Eros – Niv Raz
Pomona and Bacchus– Kate Eberhardt
Vertumnus and Silenus – Kason Seamans
Baucis and Ceres – Alyssa Read
Philemon – Preston Smith
Psyche and Cold - Layna Johnson
Question and Erysichthon’s Mother as little girl - Izzy Walbeck
Answer and Erysichthon’s Mother as a woman – Remy Parker
Henchman 1 – Jacob Wilson
Henchman 2 – Jett Smith
Sailor 1 – Emiline Johnson
Sailor 2 - Audrey Bluth
Narrator 1 and Laundress 1 – Aubree Hewlett
Narrator 2 and Laundress 2 – Shelby Betenson
Narrator 3 and Woman at the Water– Tessa Osborne
Narrator 4 – Ruby Swallow
Narrator 5 - Kendra Jones
PLEASE SIGN ON MONDAY TO ACCEPT ROLE ON CALLBOARD!
** Spirit of the Tree and Offstage Voice to be assigned
One other reminder, your fees ($40) will be put onto skyward next week and you have till DECEMBER 19TH to get them paid and your receipts turned into me (Struiks) by giving them to Mya or putting in the envelope on the board. I can not begin to say how excited I am about going on this journey with you all!
Thank you to everyone who auditioned today for Metamorphoses! You guys all came in ready to go and myself and Ms. Cline were so impressed. Thank you for your preparation and hard-work!
** If you would like feedback on your audition, please email me or come see me after this weekend.
Here is the link for "The Foreigner" pictures for cast and crew - I really appreciate your hard work and can not wait for more people to come see this show!
LINK: https://www.dropbox.com/scl/fo/t5z0mfhe7dkcla4kd7k6n/h?dl=0&rlkey=weijibvtu84vl3qy75xkxj01n
If you haven't yet, buy tickets to see the show and come support an incredible show this week (15-18th)! We have three shows left and you won't wanna miss this one!
When I was in my junior year of university (this is Struiks speaking) I had the opportunity to see Larry Shue's "The Foreigner" performed at my Alma Mater. I was pleasantly surprised with how engaging it was and the quality of writing/wit. I laughed and laughed with the characters, but also got to go on a journey with them to learn about friendship, kindness, and true-acceptance. I was moved by the piece and left the theatre vowing that one day, I would direct the show. That day has finally arrived and I could not be more pleased.
This heartwarming tale shows characters learning about one another, fighting for what's right, and defining new friendships all while creating masterfully crafted hilarity on-stage. Additionally, this script delves into the topic of racism and overall acceptance in a manner that allows us to understand how ridiculous prejudice can be. It's a passion piece for me as a director and actress, and I am excited to cast, stage, and perform this piece with Alta HS Theatre.
Open auditions for this show will take place on December 14th with invited callbacks on the 15th. You will need a one-minute monologue to audition and should be prepared, if invited to callbacks, to perform in the dialects appropriate to each character - mainly focusing on southern dialects. Look for auditions packets and sign-ups online and on the call-board outside the PAC Green Room by December 1st. For now, there is show and character information below. My suggestion? Read the play and become familiar with the characters/story if you plan to audition - it's worth every minute. Break legs!
Synopsis: The Foreigner
Our Spring Show Announcement is here - I encourage you to read the script and become familiar with the area/time period/and dialects of the piece before auditions on December 15th. Here we go...
We are thrilled to announce that our spring show is…The Last Night of Ballyhoo by Alfred Uhry! This show takes place in December 1939 and follows the Freitag family – an upper-class Jewish family in Atlanta – as they prepare for Ballyhoo, a cotillion-esque ball that is the social event of season. In the midst of their preparations, they meet Joe Farkas. Joe is from Brooklyn and is of Eastern European Jewish descent. In getting to know Joe, the Freitags (especially Sunny) wrestle with understanding and identifying Jewish discrimination from both within, and outside of, the Jewish community.
Alfred Uhry also wrote the play Driving Miss Daisy and the libretto for the musical Parade. The Last Night of Ballyhoo won the 1997 Tony Award for “Best Play.”
This play is largely a comedy, but does have some wonderful dramatic moments. It is an ensemble piece comprised of gloriously wacky, over-the-top characters.
A note on dialects and auditions: In choosing your audition monologue, the first priority is choosing a piece that fits the show and having it performance ready for auditions. If you want to use a dialect with your audition you are welcome to, but it is not required. We will be asking for Atlanta and Brooklyn dialects in call backs. Please note - the Atlanta dialect is different from Texas or mountain southern, and the Brooklyn dialect is different from the Long Island dialect we often associate with New Yorkers. All of that to say – be thorough and specific in your dialect research!
Look for more information in the next couple weeks!
- Mrs. Cline and Miss Struiksma