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Showing posts with label SpringShow. Show all posts
Showing posts with label SpringShow. Show all posts

Saturday, May 23, 2026

Alta High School's Theatre Department: Our 2026-2027 Season!

 



Our Annual Night of Shakespeare will show off our hard work as we prepare to attend the National Shakespeare Competition in Cedar City, Utah from October 1st-3rd, 2026! 
We will have four amazing duo/trio scenes and five monologues to share, as well as our incredible 10-minute Ensemble Scene from Macbeth; directed by Linze Struiksma and Lyndsey McKinnon. 
AUDITIONS for Ensemble Scene: August 20th, 2026
*You will need a one-minute Shakespearian Monologue for auditions. 

There is a MANDATORY parent/guardian meeting on August 19th at 6pm for anyone auditioning for Shakespeare (or going on the trip) OR auditioning for Musical.
If you want to audition, a parent or guardian needs to be present at that meeting!


This coming year's musical will be Irving Berlin's White Christmas! This delightful story will include some incredible focus on choreography and even include some jump-roping tap dance. There will be some summer tap classes offered (completely optional) and more will be posted about these in a few weeks.
This show will be directed by Lindsey Cline (Assistant Director to be chosen at auditions).
AUDITIONS: August 26th and 27th, 2026 
*You will need a 30-60 second cutting to sing from a Musical Theatre song (from a musical) and will then complete a dance call that same evening. 


Alta Theatre's Annual Fundraiser Night will continue on with our Murder Mystery Dinner.  Two times for dinner will be offered (5:00pm and 7:30pm) and you will not want to miss this show!  The theme will be announced on November 24th with casting announcements, but trust me... it's gonna be amazing.
Directed and Created by Addilyn Covington (Assistant to be announced at auditions)
AUDITIONS: November 24th, 2026
*You will sign up for an audition time and come play 5-10 minutes of Improv Games to analyze those skills. Watch for Improv Club dates to be trained ahead of time! 


Antigone is the quintessential and epic story from Sophocles about the power of using one's voice for the things they believe in. We will be performing a brand new adaption of the play and using shadow work along with other powerful ways of story-telling! A condensed version of this piece will ALSO be used as the Region/State One-Act to compete on March 18th and then April 15th or 16th,
This show will be directed by Linze Struiksma (Assistant Director to be chosen at auditions).
AUDITIONS: December 15th, 2026
*You will need a one-minute modern Monologue for auditions. 

REGION AND STATE IE AUDITIONS: These will also be on December 15th, 2026 and more information will be posted about these the beginning of November 2026. You MAY use the same monologue for R&S auditions as for Antigone auditions. These are six categories you will be considered for with Region/State Competition: Pantomime, Contemporary Scenes, Classical Scenes, Humorous Monologues, Dramatic Monologues, and Musical Theatre.
*If you want to be considered for the Musical Theatre Category you will need 30-60 seconds of a musical theatre piece and the on-minute monologue. 
Competition Dates are March 18th, 2027 for Region and April 17th, 2027 for State.


One of our favorite Alta Theatre traditions is our yearly Student Directed One-Acts, also called SDOAs. These are ten-minute mini-shows chosen in March by those who are directing. Our student directors are from our Theatre IV class and are chosen through an application process and announced the beginning of Spring Break. 
AUDITIONS: April 19th, 2027
*You will need a one-minute modern Monologue for auditions. 

COME ENJOY OUR INCREDIBLE SEASON NEXT YEAR!

**Other ways to be involved are Drama Club and Improv Club (both monthly) and dates will be released on here and our Social Media (Instagram) the beginning of August. 

Saturday, February 8, 2025

Meta Rehearsal Notes

 Meta Notes - Saturday 2/8

Kalyee- keep pencil skirt; this works! Can you shake the jar before the words chaos? 

Shelby- keep lines facing out at the top, or turn more when talking to Aubree 

Ethan- keep emphasis on still EACH time 

“daddy do you want to play”- just that line on that entrance, Kailyn. That’s all there’s time for! 

- Fugure out which is right; country vs continent Kason and Ethan 

Kate - standout for character and projection; nailing it each time. I love the walk off in time with Midas too! 

Ethan, more excitement on face over gold items each time you see a change. 

Cline- grab safety pins for backstage! 

Cara, watch holding arms up the whole time… it’s a nerves twinge, but start having awareness around it. 

Slow the line every reluctant breath

Sea fabric narrators- practice black fabric three times before the Monday run! 

Cara- wake up when ding happens! 

Nate- great projection! Now, play more with vocal variations 

WE LOVE MADDY AND LEAH!!! Great relationship!

Cara- great reactions at the end to the scene when they’re describing what happened to you guys. 

Walk out creepy and not marching out- hunger cold fear

Ainsley- more desperation and need in body when selling mom

Can the narrators pre-place lyre for Taylor in that transition before Orpheus? 

Chloe- subtle emotional reaction to turn… give me more on face or turn ghostlike… either way. 

Kason- make the clothing throws higher up to let us see

Struiks- add orange to erysichthon and add pink to baucis and philemon 

NIV AND LAYNA AMAZING!!!! We thought the fall was amazing, and so was the spin! 

Niv- great reaction to candle wax

Cline- dress elastic on Monday for Ainsley- Ainsley give dress to Cline on Monday at top of rehearsal. 

Cast- great reactions in pool! Better timing too, so let’s keep that cue. 

Narrators- keep practicing the lights off together. Love the vision. 


Thank you for a great day, y’all! I thought there was a way to like this, but… I’m not able to figure it out. So… Happy Saturday! 

Tuesday, January 21, 2025

Hair/Makeup and Tight needs for Meta - Friday Announcements!

 Hello Meta cast!

Below are the characters you are going to represent on Friday's photo shoot and pictures of hair and makeup styles.  Please look over things and bring appropriate needs for Friday's pictures.  Remember, we ARE doing headshots before, so have normal hair and makeup ready by 12:40pm on Friday and a PLAIN colored shirt of your choice.  

You will then have until 1:30pm to be FULLY ready for pictures.  Shelby will guide y'all to what she would like and Mya/Kate may help with guiding and direction - please allow them to be the leaders and listen as they present ideas to try. We will take pictures for about an hour and then hang up costumes NEATLY and be fully ready for rehearsal time in the Little Theatre at 3pm. That is the Friday schedule! Those who are in Alta Idol rehearsal, bounce back and forth as needed and we will see you when done in the Little Theatre. 

Midas – Ethan Regan

Marigold – Kailyn Mortensen

Alcyone - Cara Barnes

Ceyx (bring stuff we discussed from home, please!)– Nate Coleman

Iris and Hermes (EITHER; choose) – Leah Memmott

Lucina – Kaylee Cannon

Sleep and Fear (EITHER; choose) – Maddy Jones

Erysichthon – Ainsley Cardall

Hunger (dreads are in the girl's dressing room for you!) – Hallee Wasden

Oread – Mercedes Nye

Orpheus – Taylor Fairbourn

Eurydice – Chloe Hinman

Eros – Niv Raz

Pomona – Kate Eberhardt

Vertumnus (See Struiks Thursday after school to try-on clothes) – Kason Seamans

Ceres – Alyssa Read

Philemon – Preston Smith

Psyche - Layna Johnson

Ensemble Dress -  Izzy Walbeck

Ensemble Dress – Remy Parker

Townsperson Outfit– Jacob Wilson

Ensemble Dress – Jett Smith

Ensemble Dress– Emiline Johnson

Ensemble Dress (see Struiks Thursday to try one on right after school)- Audrey Bluth

Narrator Dress – Aubree Hewlett

Narrator Dress – Shelby Betenson

Narrator Dress – Tessa Osborne

Narrator Dress – Ruby Swallow

Narrator Dress - Kendra Jones


** Extra gold gear for embellishments is in the dressing room for Gods to use on picture day! This day will also help us see what is still missing and we need to get. :)


Hair pictures for inspiration - ALL genders, choose a style that keeps your hair OUT of your face completely - practice before Friday to know you can do it, OR ask for help from someone in the cast:






Things you need to have at rehearsal with you by February 3rd:

Ladies - a modesty under-garment and footless tights for anyone in a skirt at any point.  Links are below for options if needed. 

Link to footless tights: http://bit.ly/3E0MSaK

Link to other footless tights: https://bit.ly/3Ck306u

Link to modesty leotard (my fave one): https://bit.ly/4g7gvnW 

Link to other leotard: https://bit.ly/42nmoKn 

Gentlemen - modesty undergarments

Links to Shorts: https://bit.ly/4jq05tK

Link to tops: https://tinyurl.com/msdw73tu 

** If you don't have this by Friday, bring nude, white, or light colors for under your white clothing 

Here are some links to videos for basic stage makeup:

https://www.youtube.com/watch?v=csosHts7IU8

https://www.youtube.com/watch?v=QA04MbwawUg 

If your character wants to do anything specialty with makeup, can you please check off your ideas with me by next Wednesday with some pictures to show me. 

Hunger, Cold, Fear - I'm thinking gorgeous zombie or like the pictures below in colors that show your character.... you just have to be able to put it on in time, so start thinking about that. 

Wednesday, December 18, 2024

Metamorphoses Calendar and Fee Reminder!

 Hey Team!

I wanted to post the finalized Meta calendar for the cast and parents.  To the parents, I will be emailing out after the 25th about needs for the show, but for now my only reminder is that fees ($40) for the show are due by Friday.  Please contact me ASAP if there is an issue!

I am already SO excited about this show and for all you will get to see. A few dates if you ARE available to help are build set as needed will be emailed out after the 25th as well.  Two I know are January 7th from 2:45-5:15pm and January 10th from 1:30-5pm.  I know the times aren't as convenient, so just IF you are available to help build, those are some days that the students would appreciate the extra hands. 

Link to calendar: https://docs.google.com/document/d/1Ee2PHbSqiIhQT2uVMqEcJP845HBDoUQqRUPakRm0XGg/edit?usp=sharing



Thursday, December 5, 2024

Metamorphoses Final Cast List!

 Metamorphoses Cast List 

A huge thank you to everyone who came out to audition for Metamorphoses!  As I said, casting this show was really tough as you all did an incredible job with auditions and callbacks.  If you are on the final casting list for Metamorphoses, please meet in the Little Theatre on Monday, December 9th at 2:45pm for our first meeting.  Thank you and again, thank you to all who auditioned!  

 

A note before you check out parts listed below - due to this ALSO being a piece for region/state in addition to the community, some parts have been cut down or condensed for time.  Everyone will be a part of the region/state team with a role we use for the show, but not each scene we do for the community will stay in the competition version.  Regardless, all community performances will have ALL parts listed below, some are just condensed from the get-go and I will provide those cuts to you on Monday when you get your scripts. I so wish we could take everything, but we have to cut things down to 50 minutes for competition.

 

A few examples are Eurydice and Orpheus is condensed, Vertumnus and Pomona have a page removed, Q&A/Eros and Psyche will only be in the community version, lines throughout will be cut ahead for time and memorization, and Myrrah/Phaeton will not be used for an Alta produced versions. Thank you for support and understanding, and please know that I will strive to not cut any additional things unless time is of the essence when we get to region/state time!

 

Assistant Director -  Mya Didericksen

 

Midas and Buyer – Ethan Regan

Midas’ Daughter – Kailyn Mortensen

Alcyone and Persephone - Cara Barnes

Ceyx and Zeus – Nate Coleman

Iris and Hermes – Leah Memmott

Lucina and The Scientist – Kaylee Cannon

Sleep and Fear – Maddy Jones

Erysichthon – Ainsley Cardall

Hunger and The Servant to Midas – Hallee Wasden

Oread and Woman at the Door – Mercedes Nye

Orpheus and Poseidon – Taylor Fairbourn

Eurydice and Aphrodite – Chloe Hinman

Hades and Eros – Niv Raz

Pomona and Bacchus– Kate Eberhardt

Vertumnus and Silenus – Kason Seamans

Baucis and Ceres – Alyssa Read

Philemon – Preston Smith

Psyche and Cold - Layna Johnson

Question and Erysichthon’s Mother as little girl -  Izzy Walbeck

Answer and Erysichthon’s Mother as a woman – Remy Parker

Henchman 1 – Jacob Wilson

Henchman 2 – Jett Smith

Sailor 1 – Emiline Johnson

Sailor 2 - Audrey Bluth

Narrator 1 and Laundress 1 – Aubree Hewlett

Narrator 2 and Laundress 2 – Shelby Betenson

Narrator 3 and Woman at the Water– Tessa Osborne

Narrator 4 – Ruby Swallow

Narrator 5  - Kendra Jones

 

PLEASE SIGN ON MONDAY TO ACCEPT ROLE ON CALLBOARD!


** Spirit of the Tree and Offstage Voice to be assigned


One other reminder, your fees ($40) will be put onto skyward next week and you have till DECEMBER 19TH to get them paid and your receipts turned into me (Struiks) by giving them to Mya or putting in the envelope on the board. I can not begin to say how excited I am about going on this journey with you all!

Wednesday, December 4, 2024

Metamorphoses Callbacks List!

Thank you to everyone who auditioned today for Metamorphoses!  You guys all came in ready to go and myself and Ms. Cline were so impressed. Thank you for your preparation and hard-work! 

** If you would like feedback on your audition, please email me or come see me after this weekend. 

The call-back list for Metamorphoses is posted below.  Callbacks will start promptly at 2:35pm in the Little Theatre tomorrow, December 5th.  Please be there and ready to get going! Congrats to all who auditioned and those advancing to callbacks - if you are NOT on this list it does NOT mean you are not cast.  I only need to see SOME people and SOME roles. Look for the final cast list tomorrow evening.  See you tomorrow! 

Narrators
Cara Barnes 
Shelby Betenson
Kate Eberhardt
Aubree Hewlett
Chloe Hinman
Kendra Jones
Leah Memmott
Tessa Osborne 
Alyssa Read
Ruby Swallow

Ceyx and Orpheus
Nate Coleman
Taylor Fairbourn 

Midas
Ethan Regan
Kason Seamans 

Philemon
Niv Raz
Preston Smith 

Erysichthon and Hermes
Ainsley Cardall
Kason Seamans 
Ethan Regan 

Alcyone 
Cara Barnes 
Kate Eberhardt
Kendra Jones
Leah Memmott
Tessa Osborne 



Thursday, February 16, 2023

Pictures for "The Foreigner"

 Here is the link for "The Foreigner" pictures for cast and crew - I really appreciate your hard work and can not wait for more people to come see this show!  

LINK: https://www.dropbox.com/scl/fo/t5z0mfhe7dkcla4kd7k6n/h?dl=0&rlkey=weijibvtu84vl3qy75xkxj01n 

If you haven't yet, buy tickets to see the show and come support an incredible show this week (15-18th)!  We have three shows left and you won't wanna miss this one! 



Thursday, November 17, 2022

2023 Spring Show Announcement: The Foreigner (by Larry Shue)

When I was in my junior year of university (this is Struiks speaking) I had the opportunity to see Larry Shue's "The Foreigner" performed at my Alma Mater.  I was pleasantly surprised with how engaging it was and the quality of writing/wit. I laughed and laughed with the characters, but also got to go on a journey with them to learn about friendship, kindness, and true-acceptance. I was moved by the piece and left the theatre vowing that one day, I would direct the show. That day has finally arrived and I could not be more pleased.  

This heartwarming tale shows characters learning about one another, fighting for what's right, and defining new friendships all while creating masterfully crafted hilarity on-stage.  Additionally, this script delves into the topic of racism and overall acceptance in a manner that allows us to understand how ridiculous prejudice can be. It's a passion piece for me as a director and actress, and I am excited to cast, stage, and perform this piece with Alta HS Theatre.  

Open auditions for this show will take place on December 14th with invited callbacks on the 15th.  You will need a one-minute monologue to audition and should be prepared, if invited to callbacks, to perform in the dialects appropriate to each character - mainly focusing on southern dialects.  Look for auditions packets and sign-ups online and on the call-board outside the PAC Green Room by December 1st. For now, there is show and character information below.  My suggestion?  Read the play and become familiar with the characters/story if you plan to audition - it's worth every minute.  Break legs!


Synopsis: The Foreigner 

In a rural fishing lodge in Georgia, Froggy LeSueur, a British demolitions expert who sometimes runs training sessions at a nearby military installation, is trying to put his friend, Charlie Baker at ease. Charlie, a proofreader whose wife finds him boring, has come along for a much needed getaway. The problem is he is pathologically shy and is terrified at the prospect of having to converse with strangers at the lodge for three days. 

Froggy must leave to tend to his military responsibilities, so, in an attempt to help his shy friend, he tells Betty, the owner of the lodge, that Charlie is from an exotic foreign country and neither speaks nor under- stands English.

Thus, conversations at the lodge carry on around Charlie much as if he weren’t there at all, since it is assumed he can’t understand them anyway. For example, Catherine Simms informs her fiancé, the reverend David Marshall Lee, that he isn’t as sterile as he said he was and that she’s pregnant.

Owen Musser, county property inspector who has been threatening to condemn the lodge, wants a pri- vate conversation with the Reverend David. In the process, Charlie overhears a plot to undermine the value of the lodge through condemnation so that David can buy it at a bargain price. In addition, Ellard Simms, Catherine’s slow-witted brother, appears on the scene, and it becomes apparent that David is trying to make him appear to be an idiot so that he can’t inherit his half of the family money.

Through little effort on his part, Charlie endears himself to almost everyone by being a good listener (much better than they know) as they relate their problems to him. He doesn’t judge, nor does he give advice. So, Ellard tries his hand at teaching Charlie to speak English. Maybe poor Ellard isn’t so stupid after all, as Charlie makes him seem to be a natural teacher.

David and Owen soon appear with a box of ledgers, records and even dynamite, apparently salvaged from a fire of some sort. Owen’s van contains weapons and uniforms enough to reunite the “Georgia Empire.”

Froggy returns and is surprised at how well his shy friend is doing. Charlie entertains by relating a story in a strange, unintelligible dialect. Froggy agrees to return the next day, and, in private, Charlie reveals that he is having a wonderful time and may even be acquiring a personality.

At Owen's return Charlie has some fun tormenting him. David shows up with his new van, and Charlie demonstrates how well Ellard has taught him in just two days. Catherine agrees that Ellard is indeed smart enough to receive his part of the inheritance, much to the dismay of David, who decides a hasty marriage to Catherine might be in his best interest after all.

Charlie agrees to teach a bit of his “native tongue,” and has a good deal of fun at Owen and David’s expense. Owen, unable to stand any further torment, rages that the Klan will soon be coming to purge the land of foreigners. As Act One concludes, the power has been cut off and the lodge is in virtual isolation and darkness as everyone turns to Charlie for a solution.

As promised, Klan members appear, torches blazing. Through a series of tricks involving Ellard, a secret wall and a croquet mallet, the Klan is vanquished and David is exposed for what he really is.

Froggy returns, ready for the “vacation” and Charlie’s masquerade to end. By mutual agreement, Charlie decides to stay on with his friends at the lodge as “The Foreigner” in order to teach and be taught.

Characters: The Foreigner 

Froggy Lesueur: A British military demolitions expert who occasionally conducts field operations in rural Georgia, Froggy is Charlie’s caring friend and devises the scheme that protects Charlie from having to interact with the other guests at the lodge.

Charlie Baker: A science-fiction copy editor for a book publishing house, Charlie is in his late forties, British, and is a pathologically shy little man who has a very unfaithful wife, no personality that he can think of, and a need for peace and quiet. He has accompanied his friend, Froggy to a Georgia fishing lodge much against his own better judgment.

Betty Meeks: The proprietor of a Georgia fishing lodge, Betty is past seventy, a widow, and a long- time friend of Froggy. She is pleasant, wise in some ways, naïve in others. She is a good-hearted, generous, “down-home” Southerner who speaks the hardy local dialect.

Reverend David Marshall Lee: Neither the stereotypical pallid young divinity student nor the hearty backslapping evangelist, he appears to be a regular guy, one that you would like to have on your side. He is not what he seems, however, and he is clearly the brains behind the plot he engages in with Owen Musser to get control of Betty Meeks’s fishing lodge and Catherine Simms’s fortune.

Catherine Simms: The very pregnant and potentially rich fiancée of the Reverend Lee, she can be a formidable force and occasionally almost too much for the good reverend to handle. She has a ready wit and a sharp tongue. She badly needs someone to talk to, and, since Charlie doesn’t bother giving advice, he suits her needs perfectly. Catherine is Ellard’s sister.

Owen Musser: The Tilghman County property inspector, Owen is a two-tattoo man: one of them, he may have gotten while drunk or on a dare; two of them means he went back for more. Beware of a two-tattoo man. Owen and the Reverend Lee are cooking up a plot to condemn Betty’s lodge so that it can be bought for their own nefarious purposes. Owen, we find, is the absolute stereotype of an ill-bred southern Klansman.

Ellard Simms: Catherine’s brother, Ellard is an agreeable young man who is a bit slow-witted. He works as a sort of handyman for Betty and needs a considerable bit of instruction in his tasks, but may not be as dull as he seems. He is due to inherit a share of the Simms family fortune, unless the Reverend Lee can convince Catherine that Ellard is too stupid to manage money, or anything else, on his own. Ellard befriends Charlie and even decides to teach him to speak English. 

Various Townspeople: Edith Eliot, Amy Fassberg, Leah Hocking, Bryan Johnson, Andy Mellon, Steve Peck, Theresa Plikaitis, Robert Wells. 

[Resource: Utah Shakespeare Festival - 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880]

Another GREAT resource I found for information was this site (though it DOES contain spoilers): 

https://www.repstl.org/assets/doc/M3-Foreigner-21c8697a4b.pdf 

Monday, February 21, 2022

Ballyhoo Pictures!

Below are the links to all headshots and show shots for Last Night of Ballyhoo!
Thank you for all of the amazing effort and love put into this show - bravo on incredible work and enjoy the memories captured! 





I will be adding pictures from Region/State to this entry after competition.  Thanks! 

Tuesday, November 9, 2021

Spring Show 2022 Announcement!

Our Spring Show Announcement is here - I encourage you to read the script and become familiar with the area/time period/and dialects of the piece before auditions on December 15th.  Here we go...

We are thrilled to announce that our spring show is…The Last Night of Ballyhoo by Alfred Uhry!  This show takes place in December 1939 and follows the Freitag family – an upper-class Jewish family in Atlanta – as they prepare for Ballyhoo, a cotillion-esque ball that is the social event of season.  In the midst of their preparations, they meet Joe Farkas.  Joe is from Brooklyn and is of Eastern European Jewish descent.  In getting to know Joe, the Freitags (especially Sunny) wrestle with understanding and identifying Jewish discrimination from both within, and outside of, the Jewish community. 

Alfred Uhry also wrote the play Driving Miss Daisy and the libretto for the musical Parade.  The Last Night of Ballyhoo won the 1997 Tony Award for “Best Play.” 

This play is largely a comedy, but does have some wonderful dramatic moments.  It is an ensemble piece comprised of gloriously wacky, over-the-top characters. 

A note on dialects and auditions:  In choosing your audition monologue, the first priority is choosing a piece that fits the show and having it performance ready for auditions.  If you want to use a dialect with your audition you are welcome to, but it is not required.  We will be asking for Atlanta and Brooklyn dialects in call backs.  Please note - the Atlanta dialect is different from Texas or mountain southern, and the Brooklyn dialect is different from the Long Island dialect we often associate with New Yorkers.  All of that to say – be thorough and specific in your dialect research!   

Look for more information in the next couple weeks! 

 - Mrs. Cline and Miss Struiksma